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Ivan Campo - Demo |
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All seven tracks are predominantly acoustic, and bring together soft, tuneful melodies and thoughtful retrospective lyrics. On first listen, instant comparisons can be made with Shack, Gomez and a lemonhead-less Evan Dando. Pure simplicity One of the first things that strikes you during opener Darkman/Sunshine is the pure simplicity of Campo's sound, beginning with just a snappy, bluesy, acoustic riff complemented by lazy, husky whisper-like vocals, before kicking in with bongos and a bassline. Clockshopman takes the simplicity theme a step further providing only a finger-click as backing to the final lines on the song. Although uncomplicated and effortlessly honest, the sheer slenderness of Ivan Campo's sound can begin to drag, as it seems there is to be no stand-out track of the collection. Luckily for the listener, but probably by design, the CD's fourth and central track is all change as Chow Ming opens with a gentle, trickling keyboard intro, that sets the melancholic tone for the rest of the track, offering a welcome break from the steady acoustic flavour set out by the rest of the record. Rolling and
swaying Titled 'Clippings 2', the CD is not the ideal thing to listen to before a night on the town, but comes together as beautifully a crafted, relaxing composite of lonely evening songs that surely anybody can appreciate. Clippings 3 is apparently nearing completion so we should await with bated breath. Written by Dan Jeoffroy Gecko: ivancampo.net
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